{"id":345,"date":"2020-08-17T00:28:47","date_gmt":"2020-08-17T00:28:47","guid":{"rendered":"https:\/\/museudoporto.pt\/?post_type=exhibition&p=345"},"modified":"2021-11-04T23:37:49","modified_gmt":"2021-11-04T23:37:49","slug":"por-tras-das-arvores-ha-um-outro-mundo","status":"publish","type":"exhibition","link":"https:\/\/museudoporto.pt\/en\/exhibition\/por-tras-das-arvores-ha-um-outro-mundo\/","title":{"rendered":"Por tr\u00e1s das \u00e1rvores h\u00e1 um outro mundo"},"content":{"rendered":"","protected":false},"featured_media":962,"template":"","class_list":["post-345","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry"],"acf":{"subtitle":"

Ilda David’
\nCuradoria do\u00a0<\/span>N\u00facleo de Programa\u00e7\u00e3o do Museu da Cidade<\/span><\/p>\n","start_date":"15\/02\/2020","end_date":"13\/09\/2020","description":"

L\u00e1 onde n\u00e3o existe nenhuma clareira<\/em><\/p>\n

nascentes oferendas<\/em><\/p>\n

os infind\u00e1veis bordados da teia da aranha invis\u00edvel<\/em><\/p>\n

tecem \u00e1rvores com os meus pensamentos<\/em><\/p>\n

n\u00e3o posso fazer nada<\/em><\/p>\n

[Henri Michaux]<\/p>\n

 <\/p>\n

Por Tr\u00e1s das \u00e1rvores h\u00e1 um outro mundo<\/em>, da autoria de Ilda David\u2019 \u00e9 a primeira de um conjunto de seis exposi\u00e7\u00f5es integradas no programa do Gabinete do Desenho.<\/p>\n

Ilda David\u2019 (Benavente, 1955) vem construindo h\u00e1 cerca de quatro d\u00e9cadas um universo art\u00edstico, em que se cruzam de forma particularmente prof\u00edcua e estimulante, a imagem e a palavra, a literatura e a pintura. A exposi\u00e7\u00e3o re\u00fane um amplo conjunto de desenhos (e algumas gravuras), entre obras recentes e mais recuadas no tempo, cujo denominador comum \u00e9 a tematiza\u00e7\u00e3o da irredut\u00edvel diversidade da linguagem da natureza.<\/p>\n

Por aqui passam os pequenos desenhos de grutas de Goethe, registados durante as suas viagens alpinas; as imagens de Carlos Relvas, encenando-se em lugares altos; as vis\u00f5es de Victor Hugo no ex\u00edlio; as pequenas figuras ib\u00e9ricas ou cartaginesas. E h\u00e1 ainda retratos de Monet, Van Gogh e Beuys.<\/p>\n

A hist\u00f3ria esot\u00e9rica das palavras e das imagens n\u00e3o tem \u00e9poca, revela-se nos encontros, nas pausas, nos tempos mortos, nos intervalos. Antes de existirem como imagens as imagens de Ilda David\u2019 formam-se a partir desses la\u00e7os invis\u00edveis, de cruzamentos, de pontos de que s\u00f3 ela conhece as conex\u00f5es. \u00c9 esse lugar, a fun\u00e7\u00e3o assignada ao desenho na economia do seu trabalho, no universo de refer\u00eancias que vem contruindo h\u00e1 mais de tr\u00eas d\u00e9cadas.<\/p>\n

O desenho, aqui, age como uma voz inaud\u00edvel, que guia mais do que aponta, sempre em sub-registo, aqu\u00e9m da visibilidade, para l\u00e1 da hist\u00f3ria. O desenho est\u00e1 em v\u00e1rios planos e n\u00e3o est\u00e1 em nenhum em particular, est\u00e1 em v\u00e1rios tempos, define um espa\u00e7o de profundidade, um mergulho no abismo, na hist\u00f3ria secreta, obscura, dos encontros. \u00c9 um rizoma, s\u00f3 discern\u00edvel, s\u00f3 leg\u00edvel se o concebermos como narrativa que surge fora do contexto oficial, formal, da hist\u00f3ria.<\/p>\n

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