{"id":9747,"date":"2022-05-27T14:32:00","date_gmt":"2022-05-27T14:32:00","guid":{"rendered":"https:\/\/museudoporto.pt\/?post_type=resource&p=9747"},"modified":"2022-06-28T11:27:44","modified_gmt":"2022-06-28T11:27:44","slug":"dialogos-impares-3-os-leques-japoneses","status":"publish","type":"resource","link":"https:\/\/museudoporto.pt\/en\/recurso\/dialogos-impares-3-os-leques-japoneses\/","title":{"rendered":"DI\u00c1LOGOS \u00cdMPARES #3 \u2014 Os Leques Japoneses"},"content":{"rendered":"","protected":false},"featured_media":9749,"template":"","resource_category":[66,24],"class_list":["post-9747","resource","type-resource","status-publish","has-post-thumbnail","hentry","resource_category-dialogos-impares","resource_category-plataformas-publicas"],"acf":{"breadcrumb":[{"page":"Fazer"},{"page":"Plataformas P\u00fablicas"},{"page":"Di\u00e1logos \u00edmpares"}],"ambient_sound":false,"file":false,"content":[{"acf_fc_layout":"event","display_title":"DI\u00c1LOGOS \u00cdMPARES #3 \u2014 Os Leques Japoneses","subtitle":"

Com Ana Cancela | Modera\u00e7\u00e3o de Rita Roque<\/p>\n","date":{"show_time":true,"type":"sessions","date":null,"start_date":"01\/06\/2022 19:00","end_date":"01\/06\/2022 20:00"},"sessions":"","location":{"type":"station","station":{"ID":10918,"post_author":"11","post_date":"2022-09-23 16:23:42","post_date_gmt":"2022-09-23 15:23:42","post_content":"","post_title":"ROMANTICISM EXTENSION","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"romanticism-extension","to_ping":"","pinged":"","post_modified":"2022-10-07 18:31:00","post_modified_gmt":"2022-10-07 17:31:00","post_content_filtered":"","post_parent":0,"guid":"https:\/\/museudoporto.pt\/?post_type=station&p=10918","menu_order":3,"post_type":"station","post_mime_type":"","comment_count":"0","filter":"raw"},"location":""},"media":{"type":false,"image":{"ID":9750,"id":9750,"title":"leques","filename":"leques.jpg","filesize":1845086,"url":"https:\/\/museudoporto.pt\/wp-content\/uploads\/2022\/05\/leques.jpg","link":"https:\/\/museudoporto.pt\/en\/leques-2\/","alt":"","author":"7","description":"","caption":"","name":"leques-2","status":"inherit","uploaded_to":0,"date":"2022-05-27 11:23:09","modified":"2022-05-27 14:30:04","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/museudoporto.pt\/wp-includes\/images\/media\/default.png","width":2000,"height":1348,"sizes":{"thumbnail":"https:\/\/museudoporto.pt\/wp-content\/uploads\/2022\/05\/leques-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/museudoporto.pt\/wp-content\/uploads\/2022\/05\/leques-300x202.jpg","medium-width":300,"medium-height":202,"medium_large":"https:\/\/museudoporto.pt\/wp-content\/uploads\/2022\/05\/leques-768x518.jpg","medium_large-width":640,"medium_large-height":432,"large":"https:\/\/museudoporto.pt\/wp-content\/uploads\/2022\/05\/leques-1024x690.jpg","large-width":640,"large-height":431,"ufg_200_200":"https:\/\/museudoporto.pt\/wp-content\/uploads\/2022\/05\/leques.jpg","ufg_200_200-width":200,"ufg_200_200-height":135,"ufg_300_300":"https:\/\/museudoporto.pt\/wp-content\/uploads\/2022\/05\/leques.jpg","ufg_300_300-width":300,"ufg_300_300-height":202,"ufg_400_400":"https:\/\/museudoporto.pt\/wp-content\/uploads\/2022\/05\/leques.jpg","ufg_400_400-width":400,"ufg_400_400-height":270,"1536x1536":"https:\/\/museudoporto.pt\/wp-content\/uploads\/2022\/05\/leques-1536x1035.jpg","1536x1536-width":1536,"1536x1536-height":1035,"2048x2048":"https:\/\/museudoporto.pt\/wp-content\/uploads\/2022\/05\/leques.jpg","2048x2048-width":2000,"2048x2048-height":1348}},"gallery":false},"excerpt":"

Remontando<\/span> \u00e0 <\/span>Antiguidade<\/span>, <\/span>os<\/span> leques<\/span> s\u00e3o<\/span> objectos<\/span> ic\u00f3nicos<\/span> que <\/span>t\u00eam<\/span> acompanhado<\/span> a<\/span> evolu\u00e7<\/span>\u00e3o<\/span> das <\/span>sociedades<\/span>. Se <\/span>alguns<\/span> historiadores<\/span> situam<\/span> o <\/span>seu<\/span> surgimento<\/span> com o <\/span>do<\/span> homem<\/span>, outros <\/span>sustentam<\/span> que <\/span>foi<\/span> n<\/span>o <\/span>Jap\u00e3<\/span>o<\/span> o local <\/span>aon<\/span>de<\/span> pela <\/span>primeira<\/span> vez<\/span> foram<\/span> criado<\/span>s<\/span>. <\/span>Objecto<\/span> carism\u00e1tico<\/span> por<\/span> excel\u00eancia<\/span> na<\/span> cultura<\/span> japonesa<\/span>, <\/span>desde<\/span> sempre \u00e9 <\/span>carregado<\/span> de <\/span>simbolismo<\/span> e <\/span>significado<\/span> art\u00ed<\/span>stic<\/span>o<\/span>, cultural, <\/span>decorativo<\/span> e religioso e <\/span>acompanha<\/span> a <\/span>vida<\/span> dos <\/span>japoneses<\/span>, <\/span>desde<\/span> o <\/span>seu<\/span> nascimento<\/span> at\u00e9<\/span> \u00e0 <\/span>sua<\/span> morte<\/span>. De <\/span>diferentes<\/span> estilos<\/span>,<\/span> distinguem<\/span>-se <\/span>duas<\/span> correntes<\/span> distinta<\/span>s<\/span>, o <\/span>estilo<\/span> Uchiwa<\/span><\/em>, de <\/span>superf\u00edcie<\/span> plana<\/span> e <\/span>r\u00edgida<\/span>, e o<\/span> Ogi, <\/span><\/em>os<\/span> leques<\/span> dobr\u00e1veis<\/span> e, <\/span>por<\/span> isso<\/span>, <\/span>mais<\/span> f\u00e1ceis<\/span> de <\/span>transportar<\/span>. <\/span>Ambos <\/span>reflectem<\/span> a<\/span> apurada<\/span> est\u00e9tica<\/span> japonesa<\/span> impressa<\/span> na<\/span> delicadeza<\/span> subtil<\/span> de <\/span>uma<\/span> sociedade<\/span> t\u00e3o<\/span> particular <\/span>quanto<\/span> insular.\u00a0<\/span><\/span>\u00a0<\/span><\/p>\n","content":"

 <\/p>\n

Remontando<\/span> \u00e0 <\/span>Antiguidade<\/span>, <\/span>os<\/span> leques<\/span> s\u00e3o<\/span> objectos<\/span> ic\u00f3nicos<\/span> que <\/span>t\u00eam<\/span> acompanhado<\/span> a<\/span> evolu\u00e7<\/span>\u00e3o<\/span> das <\/span>sociedades<\/span>. Se <\/span>alguns<\/span> historiadores<\/span> situam<\/span> o <\/span>seu<\/span> surgimento<\/span> com o <\/span>do<\/span> homem<\/span>, outros <\/span>sustentam<\/span> que <\/span>foi<\/span> n<\/span>o <\/span>Jap\u00e3<\/span>o<\/span> o local <\/span>aon<\/span>de<\/span> pela <\/span>primeira<\/span> vez<\/span> foram<\/span> criado<\/span>s<\/span>. <\/span>Objecto<\/span> carism\u00e1tico<\/span> por<\/span> excel\u00eancia<\/span> na<\/span> cultura<\/span> japonesa<\/span>, <\/span>desde<\/span> sempre \u00e9 <\/span>carregado<\/span> de <\/span>simbolismo<\/span> e <\/span>significado<\/span> art\u00ed<\/span>stic<\/span>o<\/span>, cultural, <\/span>decorativo<\/span> e religioso e <\/span>acompanha<\/span> a <\/span>vida<\/span> dos <\/span>japoneses<\/span>, <\/span>desde<\/span> o <\/span>seu<\/span> nascimento<\/span> at\u00e9<\/span> \u00e0 <\/span>sua<\/span> morte<\/span>. De <\/span>diferentes<\/span> estilos<\/span>,<\/span> distinguem<\/span>-se <\/span>duas<\/span> correntes<\/span> distinta<\/span>s<\/span>, o <\/span>estilo<\/span> Uchiwa<\/span><\/em>, de <\/span>superf\u00edcie<\/span> plana<\/span> e <\/span>r\u00edgida<\/span>, e o<\/span> Ogi, <\/span><\/em>os<\/span> leques<\/span> dobr\u00e1veis<\/span> e, <\/span>por<\/span> isso<\/span>, <\/span>mais<\/span> f\u00e1ceis<\/span> de <\/span>transportar<\/span>. <\/span>Ambos <\/span>reflectem<\/span> a<\/span> apurada<\/span> est\u00e9tica<\/span> japonesa<\/span> impressa<\/span> na<\/span> delicadeza<\/span> subtil<\/span> de <\/span>uma<\/span> sociedade<\/span> t\u00e3o<\/span> particular <\/span>quanto<\/span> insular.\u00a0<\/span><\/span>\u00a0<\/span><\/p>\n

 <\/p>\n

Ana Cancela <\/span><\/b>nasceu em Vila do Conde em 1980.<\/span>
\n<\/span>Licenciada em Gest\u00e3o pela Faculdade de Economia da Universidade do Porto, Mestrado em Marketing pelo Instituto de Contabilidade do Porto e Curso de L\u00edngua Japonesa pela Faculdade de Letras da Universidade do Porto. \u00c9 actualmente, e desde 2008, a propriet\u00e1ria e dinamizadora cultural do espa\u00e7o Kuri Kuri, loja exclusivamente dedicada \u00e0 cultura do pa\u00eds do sol nascente. Tem artigos publicados sobre a cultura japonesa um pouco por toda a imprensa nacional. Escreve tamb\u00e9m sobre m\u00fasica, teatro, viagens, ecologia e direitos dos animais e humanos, sendo a fundadora da Associa\u00e7\u00e3o Humanit\u00e1ria A Solidariedade N\u00e3o Conhece Fronteiras.\u202f\u00c9 l\u00edder de viagens no sul de It\u00e1lia e no M\u00e9dio Oriente.\u00a0<\/span>\u00a0<\/span><\/p>\n

 <\/p>\n

Inscri\u00e7\u00f5es<\/h2>\n

A participa\u00e7\u00e3o \u00e9 gratuita e requer inscri\u00e7\u00e3o pr\u00e9via atrav\u00e9s do formul\u00e1rio<\/a>.
\nLimite de 40 participantes
\n+ info mdc.educativo@cm-porto.pt<\/a>. ou (+351) 226<\/span>\u202f<\/span>057<\/span>000.<\/span><\/p>\n

 <\/p>\n

\n

ENDERE\u00c7O<\/h2>\n<\/div>\n

Rua de Entre-Quintas, 220 4050-240 Porto
Localiza\u00e7\u00e3o<\/a><\/p>\n

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AUTOCARRO<\/h2>\n<\/div>\n

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ESTACIONAMENTO<\/h2>\n<\/div>\n

Pal\u00e1cio de Cristal<\/p>\n

 <\/p>\n"}],"previous_link":{"label":"","link":""},"next_link":{"label":"","link":""}},"_links":{"self":[{"href":"https:\/\/museudoporto.pt\/en\/wp-json\/wp\/v2\/resource\/9747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/museudoporto.pt\/en\/wp-json\/wp\/v2\/resource"}],"about":[{"href":"https:\/\/museudoporto.pt\/en\/wp-json\/wp\/v2\/types\/resource"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/museudoporto.pt\/en\/wp-json\/wp\/v2\/media\/9749"}],"wp:attachment":[{"href":"https:\/\/museudoporto.pt\/en\/wp-json\/wp\/v2\/media?parent=9747"}],"wp:term":[{"taxonomy":"resource_category","embeddable":true,"href":"https:\/\/museudoporto.pt\/en\/wp-json\/wp\/v2\/resource_category?post=9747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}